Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Frederic E.Church
Aurora Borealis,Mt.Desert Island,from Bar Harbor,Maine

ID: 26226

Frederic E.Church Aurora Borealis,Mt.Desert Island,from Bar Harbor,Maine
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Frederic E.Church Aurora Borealis,Mt.Desert Island,from Bar Harbor,Maine


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Frederic E.Church

1826-1900 American painter. He was a leading representative of the second generation of the HUDSON RIVER SCHOOL, who made an important contribution to American landscape painting in the 1850s and 1860s. The son of a wealthy and prominent businessman, he studied briefly in Hartford with two local artists, Alexander Hamilton Emmons (1816-84) and Benjamin Hutchins Coe (1799-1883). Thanks to the influence of the Hartford patron DANIEL WADSWORTH, in 1844 he became the first pupil accepted by Thomas Cole.   Related Paintings of Frederic E.Church :. | White Mountain Scenery,Franconia Notch,New Hampshire | The Iceberg | Isabel Carnes Church | Cloudy Skies | New England Landscape |
Related Artists:
ANTHONISZ, Aert
Dutch painter (b. 1579/80, Antwerpen, d. 1620, Amsterdam)
Leon-Jules Lemaitre
painted Le Pont Corneille, Rouen in 1890
David Bailly
(1584-1657) was a Dutch Golden Age painter. Bailly was born at Leyden in the Dutch Republic, the son of a Flemish immigrant, calligrapher and fencing master, Peter Bailly. As a draftsman, David was pupil of his father and the copper engraver Jacques de Gheyn. David Bailly apprenticed with a surgeon-painter Adriaan Verburg in Leiden and then with Cornelius van der Voort (1576-1624), a portrait painter in Amsterdam. According to Houbraken, in the winter of 1608, Bailly took his Grand Tour, travelling to Frankfurt, Nuremberg, Augsburg Hamburg, and via Tirol to Venice, and from there to Rome. On his return he spent five months in Venice, all the while working as a journeyman where he could, before crossing the alps again in 1609. On his return voyage, Bailly worked for several German princes including the Duke of Brunswick. Upon his return to the Netherlands in 1613, Bailly began painting still-life subjects and portraits, including self-portraits and portraits of his students and professors at the University of Leiden. He is known for making a number of vanities paintings depicting transience of this life, with such ephemeral symbols as flowers and candles. Bailly taught his nephews Harmen and Pieter Steenwijck.






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